Booth Moore is a stellar journalist and fashion commentator affiliated with the Los Angeles Times. She is one of the few to use the title fashion critic and she carries it proudly. In the pink glow cast over by the striking façade of the Beverly Hills hotel, she reflected on the state of criticism, her role as a critic and how it has evolved over the years. This is an extract from an interview published in Address – journal for fashion criticism issue two. …read more
The state of criticism fluctuates according to fashion – one season it’s in, the next season it’s out. In the circles where criticism remains a constant topic of discussion, the ‘death of criticism’ mantra remains a fashionable staple, just like the color black in fashion. Whilst for some industries this might be true, in our clothing obsessed world of pants, skirts and shoes, things are very different. In fashion, the critic ain’t dead …read more
I have a complex relationship with fashion. Having studied fashion design at university, spent the better part of my career working with garments and fashion in general and now occasionally teaching fashion design, I am fully aware of the ins and outs of fabrics, pattern cutting, construction and finishing. When I’m wandering around shops, I tend to levitate towards both mens and womenswear departments to inspect and examine the tactile merits of garments …read more
When I’m not writing or editing a column for Address online or working on the next issue, my time is spent thinking about fashion criticism as part of my research degree at London College of Fashion. Criticism is very difficult to define and most of my research is drawn from discussions and definitions from other disciplines such as graphic design, product design, music, theatre and film, where the subject is more evolved. Against these, fashion is starving for, not just criticism, but also discussions …read more
